In this week's RippleLIVE, Mark & Steve will show some great tips in Final Cut Pro X and answer your questions. Topic Hyperlinks Below!
0:29 - Introduction
1:52 - Adding Reverb Tip from Mark
6:25 - The Perils of a Live Show
6:49 - Steve's Take on Blackmagic's Pocket Cinema Camera 4K
9:25 - Working with B-Raw in DaVinci Resolve 16
16:04 - Can a Multicam Clip be duplicated w/o affecting the Original?
17:22 - Can I force FCPX to Leave Media in Place on my Card?
19:50 - ProRes Proxy vs. H.264 as an Acquisition format?
21:35 - Compound Clips and Long Audio Clips
23:24 - Duplicating a Clip at the Root of the Hard Drive
27:20 - Can another NLE access a Camera Archive?
29:02 - Can you use a Log Profile when Shooting RAW on BMPCC?
30:55 - Can You Create Custom Proxies in 3rd Party App?
32:05 - The downside of NOT having FCP X create Proxies
32:55 - Is there a Tutorial on Working in FCPX as a Team?
Steve references this Media Mgmt tutorial: http://bit.ly/2PLDniu
34:44 - How do I deal with Compression on a solid field backdrop?
36:59 - How do I remove background noise from audio recording?
39:15 - How do you force-tag audio roles on import into FCPX?
44:15 - Attend Mark's Webinar on Resolve 16's Cut Page
46:52 - Mark's thoughts on Resolve's Cut Page
49:29 - How would you rate clips for a show reel or demo reel?
55:47 - Synching Multiple clips in FCPX?
56:38 - Tom Wolsky clarifies my tip at 49:29
57:50 - Is it still worth using Final Cut Pro 7?
58:34 - The raffle winner for Mark's Webinar
58:45 - Sign Off
Thanks for Watching!!
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